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TwoThe Liverpool Royal Court TheatreAuthor: Jim Cartwright
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From the moment the bickering landlords settle behind their pumps, the audience is lost in their world of petty arguments that boil up as the play unfolds into something so much more heart breaking. Eithne Browne, whether portraying a feisty middle-ager with a love of “Big men” married to a Mac and bow-tie wearing drip or a diminutive and terrified wife, is quite simply outstanding, pouring her heart and soul into each person she plays with laughs and tears aplenty. Whereas Neil Caple, when playing the troubled landlord, a leather-clad wannabe womaniser and a lonely old man who thinks only of his late wife and so sits alone in the corner with his half of mild “for a change”, is astonishing in his ability to strike all of the right chords all of the time. As the play moves forward, so the mood becomes darker. Yes there are still laughs - such as the young man who believes Elvis died of a “choked bum” because of all the junk food he consumed - but this is so much deeper and three dimensional than that and allows the actors full rein of their extraordinary talents. Ending on a note of hope in the manner of Eugene O'Neill's classic Long Days Journey Into Night, with the next day looming and the problems of those involved only partially solved as the lights go out, both men and women in the audience were openly sobbing thanks to the power of the performances on stage. Billy Mears’s set – a bank of beer kegs, a wooden topped table and two chairs – is delightfully simple and used to full effect in a play that is in turns thought provoking, funny and sad, making Two easily one of the best to have been staged in the city this year.
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