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Tartuffe (or The Imposter)Liverpool Playhouse
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An undoubted hit of European Capital of Culture year, 2008, Tartuffe made its much anticipated return to The Playhouse and did not disappoint. Indeed, if anything, this production is faster, slicker, smoother and funnier that before and is guaranteed to send audiences home more than satisfied. Roger McGough’s ingeniously lyrical reworking of Moliere’s work – which, incidentally was originally banned for being a blasphemic representation of Church hierarchy – and Gemma Bodnetz’ dynamic direction bring the best from this highly talented cast, who clearly enjoy every moment they are on the stage.
Highlight performances are those given by Annabelle Dowler, who’s infectiously wise Dorine is a delight in every way, and Joseph Alessi’s beguiled Orgon is quite simply hilarious. Simon Coates’ subtle sarcasm, Rebecca Lacey’s voluptuous deviousness and Emily Pithon’s dippy naiveté as Mariane, are all sums of the whole which, combined, culminate in a creation of zest, verve and vigour that is all consuming. However, it is Hiran Abeysekera’s Valere, Mariane’s true love, through his own brand of fleet-footed foolery, along with Colin Tierney’s deliciously scheming titular character who arguably steal the show through. A little slow in coming to the boil, perhaps, but once it gets there Tartuffe has evolved into an even more memorable theatrical experience that is certainly not to be missed. Chris High Images © Robert Day 2011
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| Writing
gets me away for a while' from this world and into one where I, alone,
can make or break the rules as I see fit. - Chris High 2003. |
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